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册(折装)

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本幅纸

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鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：几暇鑑赏之玺
鑑藏宝玺：乐善堂图书记
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺
收传印记：宋致审定（重九）
收传印记：宋致穉佳收藏图书

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收藏着录： 石渠宝笈初编（重华宫），下册，页740 收藏着录： 故宫书画录（卷六），第四册，页106 收藏着录： 故宫书画图录，第二十三册，页270-273 参考书目： 1.陈昱全，〈清恽向倣黄公望山水〉，收入何传馨主编，《山水合璧：黄公望与富春山居图特展》（台北：国立故宫博物院，2011年五月初版一刷），页344。 内容简介（中文）： 恽向（西元一五八六－一六五五年），江苏武进人。本名道生，字本初，后改名向，又以字行，号香山翁。善画山水，爱好诗歌古文辞。早岁作品，气厚力沈，全摹董源、巨然画法；晚年惜墨如金，萧然自远，意兴则在倪瓒黄公望之间。 本册为倣五代、宋、元诸大家之作，笔墨苍厚秀润，虽名仿摹，然展现却为己貌。 内容简介（英文）： Imitating the AncientsYün Hsiang (1586-1655)Ch’ing Dynasty Yün Hsiang (original name Tao-sheng, style name Pen-ch’u, and style name Hsiang-shan weng) was a native of Wu-chin, Kiangsu province. He was not only fond of poetry and ancient literature, but a fine landscape painter. In his early paintings, there is a dense and ponderous quality modeled after the styles of Yung Yüan (fl. Early 10th cent.) and Chü-jan (fl. Late 10th cent). In his later years, he used ink sparingly so that they appear quite light and somewhat similar to the styles of Ni Tsan (1301-1374) and Huang Kung-wang (1269-1354). This album is composed of leaves done in imitation of the ancient masters from the 10th to 14th centuries, spanning the Five Dynasties, Sung, and Yüan. The use of brush and ink is hoary and refined, and, although working in ancient styles, Yün Hsiang was able to reveal his own style.