书体:
色彩:
水墨装裱形式:
册(蝴蝶装‧方幅式)创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：宣统御览之宝题跋资料:
题跋类别：作者款识；作者：梁楷；题跋位置：本幅；款识：梁楷行书主题:
主要主题：人物圣贤王羲之；次要主题：人物百姓 ；其他主题：器用文房用具笔、砚；其他主题：器用扇 ；其他主题：树木杨柳技法:
写意 人物衣纹描法(粗细线条)参考资料:
收藏着录： 石渠宝笈初编（重华宫），下册，页735-736 收藏着录： 故宫书画录（卷六），第四册，页199-200 收藏着录： 故宫书画图录，第二十九册，页214-219 内容简介（中文）： 梁楷，山东东平人。他是南宋宁宗嘉泰年间（一二○一—一二○四）的画院待诏，最擅长画人物，因为笔墨疏放、形象简洁，而被形容为「减笔」。 本幅描绘老妇人手拿纸扇，正在向书圣王羲之（三二一—三七九年）乞求题字，身后还有一名侍从，捧着砚台侍候。画中每个人物均表情生动，衣纹线条潇洒流畅，虽然不见得是梁楷亲笔所作，却能充分掌握住写意人物的简率趣味。 内容简介（英文）： Liang K'ai served as a Painter-in-Attendance in the Chia-t’ai era (1201-1204) at the court of Emperor Ning-tsung. Liang K'ai specialized in figure painting. Due to his reduction of the brushwork for a spirited effect, his style has been described as “abbreviated brushwork”. The subject of this work is an anecdote about China's Sage Calligrapher Wang Hsi-chih (321-379). He is shown helping an old lady sell her fan by inscribing it with his famous calligraphy. Behind is an attendant holding an inkstone. The expressions of the figures are lively and the drapery is done with fluid brushwork. Although not necessarily a work by Liang K'ai, the artist here was still able to capture the essence of the abbreviated “sketching ideas” style of brushwork. 内容简介（英文）： Liang K'ai, a native of Tung-p'ing, Shantung, was a Southern Sung Painter-in-Attendance in the Painting Academy in the Chia-t'ai era (1201-1204) of Emperor Ning-tsung. He did figures in brushwork that was reduced but still transmitted the spirit, in painting history being praised as “abbreviated brushwork”. This work has a signature of Liang K'ai, the features of which are similar to those of other surviving Liang K'ai works, but it is still uncertain whether it was added by a later hand or not. As a work is passed down through the years, it often undergoes many transformations. A signature may be removed or the signature of a famous artist added to an unsigned work, thereby removing evidence of or obscuring the original artist.
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