书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：吴弘猷；题跋位置：本幅；款识：檇李吴弘猷写；书体：行书；全文： 印记：吴弘猷印、涵碧

主题:

主要主题：花草芙蓉 主要主题：翎毛鹡鸰 ；次要主题：花草菊 ；次要主题：花草芦苇 ；其他主题：山水 池塘

技法:

写意 

参考资料:

收藏着录： 石渠宝笈续编（养心殿），第二册，页1124-1126 收藏着录： 故宫书画录（卷六），第四册，页271 收藏着录： 故宫书画图录，第三十册，页102-115 内容简介（中文）： 吴弘猷，生卒年不详，约活动于崇祯（西元一六二八－一六四四）年间，据画上款印，是浙江嘉兴人，字涵碧。 河塘上，一鸟栖于荷茎，回望斜出的一支的芙蓉，幅左芦苇菊花丛聚，构成一幅清雅怡人的河塘小景。钩花点叶兼用双钩没骨法，用笔流畅轻缓，草草写意，不求工似，是典型晚明花鸟画的作风。 内容简介（英文）： The birth and death dates of Wu Hung-yu are not known, but he was active during the reign of the Ch’ung-chen emperor (r. 1628-1644). According to inscriptions and seals on his paintings, he was native of Chia-hsing in Chekiang and went by the style name of Han-pi. In this painting of a river bank, a bird is perched on a lotus stem and looks back at the diagonally extending stem of hibiscus. To the left are clusters of reeds and chrysanthemums, forming an intimate river bank scene that is pure and elegant. The outlined flowers and dotted leaves were rendered with the “double outline” and “boneless ink’ methods, respectively. The brushwork is fluent and soft in a “sketching ideas” manner, which does not seek delicate realism. This work is a typical late Ming dynasty bird and flower style of painting.