书体:

色彩:

设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅绢拖尾纸

释文:

印记资料:

收传印记：乔氏篑成
收传印记：诗礼传家（鼎形印存半）
收传印记：训忠之家
收传印记：春草堂图书印
收传印记：心父氏
收传印记：陈氏道复
收传印记：退密
收传印记：子京所藏
收传印记：项元汴印
收传印记：墨林祕玩
收传印记：项墨林鑑赏章

题跋资料:

题跋类别：题跋；作者：李衎拖尾蓟丘李衎；书体：行书；全文：右苦吟图。为龙眠李伯时笔也。伯时多用白描。设色者极少。馀旧时曾见其石鼎联句。与此极相似。但联句卷亦用白描。至于意态摹写。咄咄逼真。此卷觉更进乎技矣。蓟丘李衎。印记：训忠之家

题跋类别：题跋；作者：卢克柔（姓名待考）拖尾淇川卢克柔；书体：行书；全文：馀得李公麟苦吟图于楚中。绢素极古。行笔有法。捉笔而思者。沉吟者。注视者。无不曲尽。真神品也。淇川卢克柔。印记：蜗壳轩

主题:

主要主题：人物高士（士人、隐士）高士；次要主题：人物侍从（侍女、童仆）侍从、侍女；其他主题：树木寒林．枯树枯枝；其他主题：器用家俱（屏风）桌、几案、凳；其他主题：器用花器瓶、架；其他主题：器用文房用具笔、纸、砚、纸镇；其他主题：器用文玩（琴棋书画）书画；其他主题：器用香炉．火盆 

技法:

工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页31 收藏着录： 故宫书画图录，第十五册，页301-302 收藏着录： 以文会友-雅集图特展，页214-217、281 内容简介（中文）： 李公麟(西元1049-1106年)，安徽舒城人。字伯时，号龙眠居士。熙宁中进士，为中书门下省删定官，元符三年(1100)病痺致仕，归老龙眠山。博学精识，善山水、人物，集先代之长，而自成一家。写人物能分别状貌，使人望而知何种人。又兼工佛道人物及画马。本幅无作者款印，旧标为李公麟。通幅绢质甚古旧，画文士三人倚坐，或捉笔苦思，或沉吟，或凝视，两旁并有女侍婷立。观其衣纹、面目，莫不线描纤细，且设色典雅，饶具龙眠居士追法晋唐的风致。 内容简介（英文）： Li Kung-lin (style name Po-shih, sobriquet Lung-mien chu-shih) was from Shu-ch’eng, He received the chin-shih degree during the Hsi-ning Era and served in the Secretariat-Chancellery. In 1100, he resigned and retired to Lung-mien Mountain. A man of broad learning, Li Kung-lin was also fond of painting landscapes and figures, and could clearly characterize the moral qualities of his figural subjects by appearance alone. This work bears neither the artist’s signature nor his seal on it, but was attributed to Li Kung-lin. The painting was done on a piece of ancient silk. The depiction is of three men of letters seated in a relaxed manner around a table. One holds a brush and is deep in thought; another seems to be muttering to himself, the third stares fixedly, unseeing. At both sides, female attendants stand gracefully. The delineation of clothing and faces was done with fine, ‘iron-wire’ lines, and color elegantly applied, resulting in a work of Chin and T’ang temperament.