书体:

色彩:

设色,描金

装裱形式:

卷

创作时间:

清圣祖康熙五十年（1711）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：朱汝琳；题跋位置：本幅；款识：康熙辛卯（西元一七一一年）暮春。招友人会集日所作。或写或止。月馀乃成。倘遇好事者求。非日唫诗数百。不与易也。朱汝琳识。；书体：行楷书；全文： 印记：朱汝琳印、索笑（重四）、寄蜉蝤于天地、醉月轩

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：己卯交御题；书体：行书；全文：（乾隆己卯御题。文不录。）印记：乾隆宸翰

主题:

主要主题：草虫蚱蜢 主要主题：草虫螳螂 主要主题：草虫蜂 主要主题：草虫蜻蜓 主要主题：草虫蝶蛾 主要主题：草虫蚊．蝇蝇主要主题：草虫金龟．瓢虫瓢虫；其他主题：草虫天牛 ；其他主题：草虫瓢草 ；其他主题：草虫蜈蚣 ；其他主题：草虫蝎子 ；其他主题：草虫蟑螂 ；其他主题：草虫蚂蚁 

技法:

工笔 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页51 收藏着录： 石渠宝笈续编（御书房），第四册，页2105 收藏着录： 故宫书画图录，第二十一册，页243-246 参考书目： 1.王耀庭，〈朱汝琳画草虫〉，收入国立故宫博物院编辑委员会编，《草虫画特展图录》（台北：国立故宫博物院，1986年初版），页75。2.刘芳如，〈中国古画里的草虫世界 — 「草虫天地」特展介绍（下）〉，《故宫文物月刊》，第221期（2001年8月），页109。 内容简介（中文）： 朱汝琳其人，除了知道他曾在康熙五十年（西元一七一一）画了这件「草虫卷」以外，并没有留下任何的参考资料。这件长卷，一共画了七十只草虫，各箇栩栩如生，而且笔力细健，色彩雅洁，确实称得上是难得的写生佳作。卷末，画家自己书写的题记里谈到，是在和文友们聚会的时候，兴致突发，才花费一个月的时间完成此画，希望能借它交换诗友的作品。由此看来，画家也是一名雅士呢！ 内容简介（中文）： 朱汝霖于康熙五十年作草虫卷，即本幅，别无资料。工笔草虫共七十尾。种种神肖，而笔力细健，傅彩雅驯。画中之能品，作者生平，画史均不载，观其中识语，谓是文友集会之日，兴来作此卷，历时一月乃成，倘有能吟咏之者，愿以此卷换诗，观此则此君固亦甚雅也。 内容简介（英文）： Chu Ju-lin, painted this handscroll in 1711. It is the only painting of his still extant. There is no further information regarding his life available.The painting depicts seventy insects in fine detail; each insect is imbued with life. Chu’s use of the brush is delicate and vigorous and his application of color is elegant and light. The painting is in the capable categories.Chu Ju-lin is not recorded in the histories of Chinese painting. In the inscription of this handscroll, Chu states that he began this handscroll one day at a gathering of his literary friends and completed it a month later. Furthermore, ha would gladly offer this handscroll in exchange for poems. To infer from this inscription, Chu was indeed a man of refined taste. 内容简介（英文）： Nothing is known about Chu Ju-lin, except that he did this work (his only surviving one) in 1711. This long handscroll includes representations of 70 insects (including butterflies, moths, bees, wasps, beetles, a mantis, a spider, a centipede, and even a cockroach), all of which appear in lifelike detail. The brushwork is strong yet fine and the coloring is elegant and pure, making this a rare masterpiece in the "sketching from life" tradition. At the end of the scroll, the artist wrote in his inscription that he began painting it one day at a gathering of literary friends and completed it a month later. Expressing his desire to exchange it for the poetry of a literary friend, it shows that the artist must have been a refined gentleman himself. 网页展示说明 朱汝琳其人，画史无传。本幅作于康熙五十年（一七一一）暮春，共画草虫七十只，均栩栩如生，且笔力细健，色彩雅洁，诚为难得之写生佳作。根据据卷末画家自题所云，是与文友们聚会时，兴致突发，遂以旬月时间完成此作，冀望能借此来交换诗友的作品。(20121016) 网页展示说明 Traditional painting histories mention nothing about Zhu Rulin. This work was done in late spring of 1711, depicting a total of seventy insects that all appear lifelike. The brushwork is delicate yet strong and the coloring pure and elegant, making this a masterpiece in the tradition of sketching from life. According to the artist’s inscription at the end of the scroll, he began the painting during a convivial gathering with scholar-friends and completed it within a month, hoping to exchange it for the poetry of a friend.(20121016) 网页展示说明 画史には朱汝琳に関する记录はない。これは康熙50年（1711）暮春の作で、70匹の草虫が描かれている。全てが生き生きと表现され、繊细で好ましい笔遣い、趣深く美しい色彩、写生作品として得がたい佳作である。巻末の自题によれば、同好の友との集まりでふと兴が乗り、诗友の作品と交换しようと、わずか一月ほどで完成させたという。(20121016)