书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：珠林三编
鑑藏宝玺：宣统御览之宝
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
收传印记：贞观
收传印记：建业文房之印
收传印记：宣和
收传印记：德寿
收传印记：政和
收传印记：秘图之印
收传印记：永存珍秘
收传印记：明昌
收传印记：群玉中秘
收传印记：御府宝绘
收传印记：天历之宝
收传印记：端本

题跋资料:

题跋类别：作者款识；作者：  尉迟乙僧敬绘；书体：篆书；全文：尉迟乙僧敬绘。（六字泥金篆书）

主题:

主要主题：佛道人物天王北天王主要主题：佛道人物伎乐 主要主题：佛道人物佛道侍者 主要主题：器用仪仗（佛教宝盖）华盖；其他主题：器用宗教器用 

技法:

人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 秘殿珠林三编（干清宫），页56 收藏着录： 故宫书画录（卷八），第四册，页53 收藏着录： 故宫书画图录，第一册，页7-8 内容简介（中文）： 本幅画手托宝塔的托塔天王，即世所谓之北方天王，为盛唐以后极受尊奉的佛像之一，其旁环侍之人物造型已为佛道相参之势。原谓尉僧乙僧所画，然细审其笔墨，应属明人风格。尉迟乙僧，生卒年不详。于阗国人。唐太宗贞观（西元六二七─六四九年）初于阗国王以其丹青奇妙，荐之中都。所作菩萨，小则用笔紧劲如屈铁盘丝，大则洒落有气概。 内容简介（英文）： This painting represents a Buddhist guardian figure with a pagoda in one hand. Also known as the deva king of the north, this figure was popular after the late T'ang dynasty. The deity appears here surrounded by supporting figures. Traditionally attributed to Wei-ch'ih I-seng, close study of the brush and ink, however, indicates the style of the Ming dynasty (1368-1644).Wei-ch'ih I-seng was a Khotanese who, early in the Chen-kuan reign of the T'ang Emperor T'ai-tsung, was renowned for his painting and recommended to the capital. In his representations of bodhisattvas, he used fine and taut brushstrokes that still convey the casual elegance and spirit of the subject.