书体:
色彩:
浅设色装裱形式:
轴创作时间:
元成宗大德4年（1300）文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：陈琳；题跋位置：本幅；款识：大德庚子（西元一三○○年）五月朔。陈琳；书体：行书；全文： 印记：陈琳印主题:
主要主题：佛道人物锺馗 ；次要主题：树木寒林．枯树寒林；其他主题：器用 笏；其他主题：器用服饰（对人）技法:
写意 人物衣纹描法(粗细线条)参考资料:
收藏着录： 秘殿珠林续编（干清宫），页242 收藏着录： 故宫书画录（卷八），第四册，页65 收藏着录： 故宫书画图录，第四册，页143-144 参考书目： 1.刘芳如，〈传元陈琳寒林锺馗〉，收入国立故宫博物院编辑委员会编，《迎岁集福 — 院藏锺馗名画特展》（台北：国立故宫博物院，1997年二月初版一刷），页137-138。 内容简介（中文）： 陈琳（约西元一二六0—一三二0年），钱塘（今浙江杭州）人。字仲美，陈钰次子。兼作山水、人物、花鸟，殆由师古脱胎而出，又因与赵孟頫（一二五四—一三二二）交游，受益颇多，故画不俗。本幅着录于《秘殿珠林续编》。画坡坨林木，锺馗执笏回首，布局与文征明「寒林锺馗」相近，惟技艺略逊一筹，应属明代画家讬名之作。 内容简介（英文）： Ch'en Lin (style name Chung-mei) was the son of Ch'en Yü and a native of Ch'ien-t'ang (modern Hangchou, Chekiang). He was an accomplished painter of landscapes, figures, and birds-and-flowers who derived inspiration from the ancients to formulate his own style. He befriended one of the leading scholar-official painters of the day, Chao Meng-fu (1254-1322), and his style was influenced and became refined.This painting traditionally attributed to Ch'en Lin is listed in the catalogue of the Ch'ing (1644-1911) imperial collection of painting and calligraphy. Chung K'uei holds an official tablet and looks over his shoulder at the trees, which (along with the slope and composition) are similar to those in "Chung K'uei in a Wintry Grove" by Wen Cheng-ming (1470-1559). The technique in the Ch'en Lin version, however, is slightly inferior, suggesting it may be the work of a Ming (1368-1644) painter with his interpolated signature.
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