书体:

色彩:

水墨

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：嘉庆御览之宝

题跋资料:

题跋类别：作者款识；作者：钱维城；题跋位置：本幅；款识：夏山欲雨。臣钱维城恭画。；书体：楷书；全文： 印记：臣钱维城、敬事

主题:

主要主题：山水夏景 ；次要主题：山水溪涧、湍泉 ；其他主题：山水瀑布 ；其他主题：树木  ；其他主题：树木松 ；其他主题：建筑寺庙 

技法:

写意 皴法披麻皴苔点 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页112 收藏着录： 故宫书画图录，第十二册，页175-176 内容简介（中文）： 钱维城（西元一七二○至一七七二年），字宗磐，号幼庵，一号稼轩，又号茶山，江苏武进人。乾隆十年状元，官至刑部侍郎。从陈书学画写意折枝花卉，遂成名手。供奉内廷，为画苑领袖，着有茶山集。 本幅山水丘壑幽深，气韵沈厚，不以造化为师，全法南宗正统画派，其丘壑、树石之笔法、墨法皆有公式化的趋向。重山叠岭之中，烟雾弥漫，画面水份凝重，气氛营造之下，颇有山雨欲来风满楼之意。 内容简介（英文）： Ch’ien Wei-ch’eng, style name Tsung-p’an, sobriquets Yu-an, Chia-hsüan and Ch’a-shan, was a native of Wuchin, Kiangsu. During 1746, he became the top successful candidate in the imperial examination, and served in the government bureaucracy, eventually holding the position of vice minister in the Ministry of Justice. He studied the free-style method (hsieh-i) of depicting flowers after Ch’en Shu, and achieved fame as a painter. He later became a leader in the Imperial Painting Academy. This quiet landscape depicts layers of mountains. The tone of the painting is profound, but does not follow the patterns of nature. Instead, all of the techniques and images are based on the Southern Sung orthodox school of painting. The brushwork used to depict the layered mountains, trees, and rocks, as well as the use of ink, are all stylized representations, rather than reflections of nature. The spaces between the piled mountains overflow with dense mist. The painting surface is heavy with moisture, embodying the humid stillness at the moment when the winds are coming, just before a rainfall.