书体:

色彩:

设色

装裱形式:

创作时间:

清高宗乾隆八年(1743)

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺:乾隆御览之宝
鑑藏宝玺:乾隆鑑赏
鑑藏宝玺:养心殿鑑藏宝
鑑藏宝玺:石渠宝笈
鑑藏宝玺:三希堂精鑑玺
鑑藏宝玺:宜子孙
鑑藏宝玺:嘉庆御览之宝
鑑藏宝玺:宣统御览之宝

题跋资料:

题跋类别:作者款识;作者:唐岱;题跋位置:本幅;款识:无;;书体:行楷书;全文:乾隆八年(西元一七四三年)孟夏倣范宽。臣唐岱恭画。印记:臣唐岱

主题:

主要主题:山水  ;次要主题:建筑桥 ;次要主题:建筑寺庙 ;其他主题:山水瀑布 ;其他主题:树木杉 ;其他主题:建筑房舍 ;其他主题:建筑茅草屋 ;其他主题:建筑水榭 ;其他主题:树木松 ;其他主题:山水云 ;其他主题:山水山径 ;其他主题:树木  

技法:

写意 皴法 皴法雨点皴

参考资料:

收藏着录: 石渠宝笈初编(养心殿),上册,页673 收藏着录: 故宫书画录(卷八),第四册,页116 收藏着录: 故宫书画图录,第十二册,页359-360 内容简介(中文): 清唐岱倣范宽山水 唐岱,满洲人,字毓东,号静巖,又号默庄。生于圣祖康熙十二(公元一六七三)年,死年不详,高宗乾隆十七年,八十岁尚在世。因为善画,圣祖尝颁赐「画状元」荣衔。 他的山水画虽出自王原祁之门,但用笔着色都不像乃师,画树多用夹叶,山石勾搭结构,皴纹喜用斧劈碎笔,一一类似北宗画法。因此,山形向背、树石凹凸,特见明显。唯作品过分刻划,明秀有馀,气势不足。 内容简介(英文): Landscape in the Manner of Fan K’uanT’ang TaiCh’ing Dynasty T’ang Tai (tzu Yü-tung, hao Ching-yen, Mo-chuang), a Manchu, was born in the twelfth year of the K’ang-hsi period of the Ch’ing dynasty, 1673. The date of his death is unknown, but he was still living in the seventeenth year of the Ch’ien-lung period, at eighty years of age. Because of his painting skill the K’ang-hsi emperor honored him with a high official title. In landscape painting, although he was a student of Wang Yüan-ch’i, his use of the brush and method of applying color do not resemble those of his teacher. In Painting trees he defined many more leaves; in describing mountains and rocks he began by outlining the larger structures; and for texture strokes he preferred numerous small “axe-cut” strokes. In all of these aspects his methods resemble those of the so-called “Northern School.” The three-dimensional nature of the Mountain forms and the convexities and concavities of the trees and rocks are all brought out clearly in his work, but his manner is too careful, excessive in its refinement, and inadequate in spirit and strength.
文章标签: 乾隆 主题

猜你喜欢

方壶胜境
《曲院风荷》
《茹古涵今》
壁画
壁画
唐岱小园闲咏图册
唐岱秋山行旅图轴
唐岱小园闲咏图册
唐岱小园闲咏图册
白海青
人物山水立轴
阿弥陀佛
白龙潭
山水册页
指画怒容钟馗图
上塞锦林图
指画系列 纳尔逊·艾金斯
拟古山水册
0.168983s