书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

明思宗崇祯六年（1633）

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：叶舟；题跋位置：本幅；款识：癸酉（西元一六三三年）清和叶舟写祝；书体：篆书；全文：群僊献芝。（篆书）。癸酉（西元一六三三年）清和叶舟写祝。（楷书）。印记：叶舟之印、飘仙、一叶舟

主题:

次要主题：花草水仙 ；次要主题：花草梅（白．红．蜡梅）白梅；次要主题：山水奇石 ；其他主题：山水溪涧、湍泉溪；次要主题：花草灵芝 ；其他主题：翎毛白头翁 

技法:

写意 苔点 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页159 内容简介（中文）： 叶舟，字飘仙，号雪渔，生卒年不详，为明末高士，江苏松江人，善于画花卉，为人有气节，甲申年（公元一六四四），明朝亡国后，于是，出家剃发当和尚，每天惟有以画佛像渡日。 他的画，从作品看，用笔劲挺流畅，笔触方稜峭利，给人有如钢丝铁条的印象，墨色富于变化，因此画中物景，都有种体质坚硬，气氛冷寂的感觉。 内容简介（英文）： Yeh Chou (tzu P’iao-hsien, hao Hsüeh-yü) was a scholar of the late Ming Dynasty from Sung-chiang in Kiangsu. He excelled in the painting of flowers and displayed to others his strong and resolute temperament. In 1644, he shaved his head and became a Buddhist priest, each day from then on only dedicating his talents to the painting of Buddhist subjects. As we can see from his works, Yeh Chou’s brushstrokes are powerful and fluid, and the same time angular and hard, giving the viewer the impression of supreme strength. The ink tones are rich in modulation and variation, thus the subject matter of his painting, solid and hard in appearance, projects a noticeable chill to the viewer.