书体:

色彩:

设色

装裱形式:

册(推蓬装‧折扇式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：文俶；题跋位置：本幅；款识：天水赵氏文俶；书体：楷书；全文： 印记：赵俶、端容

主题:

其他主题：花草  ；其他主题：花草菊 ；其他主题：草虫螳螂 ；其他主题：草虫蝶蛾 

技法:

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页163 收藏着录： 故宫书画图录，第三十册，页136-139 参考书目： 1.张华芝，〈文俶花卉草虫〉，收入刘芳如、张华芝主编，《群芳谱 — 女性的形象与才艺》（台北：国立故宫博物院，2003年初版一刷），页179。 内容简介（中文）： 文俶，字端容，生于明神宗万历二十三（西元一五九五）年，江苏长洲人，文从简的女儿，嫁吴中高士赵筠为妻，生性聪慧，善绘画，见物即能摹写，年四十去世。 画之布景，仅于右下一角，留下一大片天空，使蝶之飞翔空阔，螳螂之昂扬更见精神，画家用心，可知别出心裁。 内容简介（英文）： Flowers and InsectsWen Ch’u (1595-1634)Ming Dynasty Wen Ch’u, the daughter of Wen Ts’ung-chien, was a native of Ch’ang-chou, Kiangsu province and used the style name Tuan-jung. Wen and her husband, Chao Ling-yun, lived in seclusion in Han Mountain where they found spiritual sustenance. Wen was witty and capable of depicting lifelike and refreshing flowers. She made sketches of the plants and insects in Han Mountain and successfully captured their outward likeness and inward spirit. She was skilled at painting old pines and strangely-shaped rocks with forceful brushwork. Wen was highly honored among the women in the Suchou region. Unfortunately, she died in her middle age, and many counterfeits of her paintings were made afterwards so that authentic ones are rarely seen. In this painting, the composition has been arranged so that most of the elements are in one corner, leaving a large expanse for the butterfly to fly around. The praying mantis with its head uplifted looks full of energy. From the detail and carefully planned composition, it is clear that Wen Ch’u paid much attention to painting this fan, inventing a fresh, appealing work.