书体:

色彩:

设色

装裱形式:

册(推蓬装‧折扇式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

收传印记：董子□（一字不识）

题跋资料:

题跋类别：作者款识；作者：文伯仁；题跋位置：本幅；款识：五峰文伯仁写；书体：行书；全文： 印记：五峰、文伯仁

主题:

主要主题：山水  ；次要主题：山水奇石 ；其他主题：山水溪涧、湍泉溪涧；其他主题：人物高士（士人、隐士）二人；其他主题：树木  ；其他主题：树木松 ；其他主题：树木竹 ；其他主题：树木杨柳 ；其他主题：花草  ；其他主题：走兽鹿二只；其他主题：建筑庭院 ；其他主题：建筑篱笆、围墙篱笆；其他主题：建筑亭 ；其他主题：建筑桥 ；其他主题：器用家俱（屏风）帘、桌、椅

技法:

工笔 写意 皴法牛毛皴人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页165 收藏着录： 故宫书画图录，第三十册，页262-271 内容简介（中文）： 画面充满丰富的物像，有巨大玲珑的太湖石，栖息于平坡上的鹿群，柳树下的红曲桥，在前景一路蜿蜒开着红花的篱笆，策杖文士和友人进入的石洞、石洞右后方的草亭，以及左后方捲起帘子，案上放着香炉的小轩等。明代流行的园林斋室图，除了以册页形式分作数开描绘不同景点，又常选择以横卷的形式将景点连缀起来。此作似不甘受到扇面尺幅的限制，将原本可以演绎为一长卷的各式景象，浓缩在此扇面中。顺着扇褶的推展，呈现在观者面前。(20100713) 内容简介（英文）： In this painting filled with a rich abundance of motifs are huge and exquisitely wrought Lake Tai garden rocks, a flock of deer at rest on the level area by the red-railed bridge beneath willow trees, a thatched fence with red blossoms by the winding path in the foreground, a scholar holding a staff proceeding with his friend through the stone grotto, the thatched kiosk to the right behind the grottoes, and the longer building to the left with a table and an incense burner on it. Such garden studios were popular in the Ming dynasty. Not only were their various scenes painted separately as album leaves, artists also often chose the long handscroll format to connect them together. Here, Wen Boren apparently was not confined by the limitations of a folding fan, perhaps taking a design originally meant for a handscroll and compressing it into this composition. The viewer can follow the folds of the fan and appreciate the scenery.(20100713)