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本幅纸隔水一绫隔水二绫拖尾纸释文:
趵突泉。泺水发源天下无。平地湧出白玉壶。谷虚久恐元气泄。岁旱不愁东海枯。云雾润蒸华不注。波澜声震大明湖。时来泉上濯尘土。冰雪满怀清兴孤。右二题皆济南近郭佳处。公谨家故齐也。遂为书此。孟頫。印记资料:
作者印记:赵题跋资料:
题跋类别:题跋;作者:僧来复拖尾灵隐蒲菴;书体:行书;全文:历下林泉绝世无。白河倒影浸冰壶。三春浑作桃华涨。六月潜回草树枯。元气空蒙蒸海岱。大声震荡接江湖。拟从天上寻源去。振策东观碣石孤。右次趵突泉诗韵。灵隐蒲菴。印记:沙门来复、见心、蒲菴寐语、豫章山房主题:
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收藏着录: 石渠宝笈初编(御书房),下册,页916 收藏着录: 故宫书画录(卷一),第一册,页75 参考书目: 1.王耀庭,〈帝国的回忆 国立故宫博物院瑰宝赴法展专辑二 — 赵孟頫书趵突泉诗〉,《故宫文物月刊》,第186期(1998年9月),页8-9。2.王竞雄,〈元赵孟頫书趵突泉诗〉,收入蔡玫芬主编,《精彩一百 国宝总动员》(台北:国立故宫博物院,2011年九月初版一刷),页228。3.谈晟广;〈再访鹊华秋色〉,《故宫文物月刊》,第355期(2012年10月份),页70-79。4.赵 华;〈赵孟頫论枕卧帖小考与元初书画收藏生态〉,《故宫文物月刊》,第354期(2012年9月份),页98-105。 内容简介(中文): 赵孟頫(1254-1322)为赵宋宗室,字子昂,浙江吴兴人。入元后一度乡居避世,元世祖至元二十四年,始接受征召出仕。其在济南任官期间,游览当地胜景趵突泉,心中无限感慨见于诗文,如末句有云:「冰雪满怀清兴孤。」元贞元年(1295),济南归来之际,因老友周密祖籍山东,却未曾到过故乡,特别写此诗卷相赠。全卷书法结字宽博,厚实的格调与其成熟阶段灵逸秀美的书风不尽相同。(20110913) 内容简介(中文): 赵孟頫(西元一二五四至一三二二年),字子昂,自号松雪道人,为宋宗室,湖州(今浙江吴兴)人。宋亡,入仕元,累官至翰林学士,死后,追封魏国公,諡文敏。天资聪颖,诗文清邃奇逸,画入神品,书法尤称一世,篆、籀、分、隶、真、行、草,无不冠绝古今。而以小楷为第一。虞集称其「楷法深得洛神赋而揽其标,行书诣圣教序而入其室,至于草书,饱十七帖而变其形,可谓书之兼学力天资,精奥神化而不可及矣」。盖其书临古功力极深,风骨秀逸,天机烂漫,能造王羲之父子之堂奥。 内容简介(英文): Chao Meng-fu was from Wu-hsing, Chekiang. His style name was Tzu-ang, his sobriquet Sung-hsueh tao-jen. Although he was a member of the Sung royal house, he entered the administration of the succeeding Yuan dynasty. He became a member of the Han-lin Academy and was given the title "Duke of Wei". He was also honored with the posthumous title Wen-min. Chao's natural abilities are evident in his poetry and essays. He is also one of the great painters of Chinese art history, and his calligraphy is unsurpassed. He demonstrated equal facility in seal, clerical, standard, semi-cursive, and cursive styles, but his greatest achievements were in the small standard script. Chao Meng-fu was always conscious of the importance of past styles and strove to emulate their good points. In spite of this reliance on past models, the appearance of his written characters is innovative, full-bodied, and relaxed. He was able to build on the foundation laid by Wang Hsi-chih (321-379) and Wang hsien-chih (344-386) of the Chin dynasty. 内容简介(英文): Zhao Mengfu (style name Zi’ang), a member of the Song imperial family surnamed Zhao, was a native of Wuxing in Zhejiang. After the fall of the Song and rise of the Yuan, he went back to his hometown for a time to retire from the world. However, in 1287, Khubilai Khan, as the Yuan dynasty emperor of China, began recruiting scholars, including Zhao Mengfu. During Zhao’s tenure in office in Ji’nan, he had the chance to visit the scenic Baotu Spring there. The boundless emotions he felt at the time are found in his poetry, such as the last line that reads, “Ice and snow fill my heart with pure solitude.” In 1295, after coming back from Ji’nan, his old friend Zhou Mi, a native of Shandong who had never been to his ancestral hometown, so Zhao especially wrote this scroll of poetry as a gift. The character structure in the calligraphy throughout is expansive, the solid and strong manner differing completely from the style of his mature phase with its spirited and elegant beauty. (20110913) 网页展示说明 赵孟頫(1254-1322)为赵宋宗室,字子昂,浙江吴兴人。入元后一度乡居避世,元世祖至元二十四年,始接受征召出仕。其在济南任官期间,游览当地胜景趵突泉,心中无限感慨见于诗文,如末句有云:「冰雪满怀清兴孤。」元贞元年(1295),济南归来之际,因老友周密祖籍山东,却未曾到过故乡,特别写此诗卷相赠。全卷书法结字宽博,厚实的格调与其成熟阶段灵逸秀美的书风不尽相同。释文:趵突泉。泺水发源天下无。平地湧出白玉壶。谷虚久恐元气泄。岁旱不愁东海枯。云雾润蒸华不注。波澜声震大明湖。时来泉上濯尘土。冰雪满怀清兴孤。右二题皆济南近郭佳处。公谨家故齐也。遂为书此。孟頫。(20110913) 研究性论着: 趵突泉在山东济南市旧城西门外。赵孟頫服官济南时,常游憩于此地。赵孟頫诗文书画乐律无不精善,书法则篆籀分行草书无不冠绝古今,早年学宋高宗,后取则王羲之王献之,末后复学李邕。是唐以后书法的集大成者,对当时及后世影响很大。赵字以完全唯美的风格见称。书趵突泉诗作于元成宗元贞元年(1295)十二月,为周密作鹊华秋色之顷。最晚不超过大德八年(1304)周密卒年之前。亦即四十二岁到五十一岁间的作品。元赵孟頫书趵突泉诗润秀圆转,这正是赵氏书风的特色,也是存世赵书中墨迹楷书罕见大字。案卷中有「右二题」,今仅存其一,可见卷前已有遗失。