书体:

色彩:

设色

装裱形式:

轴

创作时间:

明宣宗宣德二年（1427）

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：乐善堂图书记
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：棠屯审定
收传印记：蕉林

题跋资料:

题跋类别：作者款识；作者：边文进；题跋位置：本幅；款识：宣德丁未（西元一四二七年）孟秋。陇西边景昭写。；书体：行书；全文： 印记：怡情动植、边氏文进、多识于草木鸟兽

主题:

主要主题：翎毛麻雀百只；次要主题：山水奇石 ；次要主题：花草梅（白．红．蜡梅）白梅；次要主题：树木竹 

技法:

工笔 双钩 皴法斧劈皴

参考资料:

收藏着录： 石渠宝笈初编﹝重华宫﹞，下册，页802 收藏着录： 故宫书画录﹝卷五﹞，第三册，页292 收藏着录： 故宫书画图录，第六册，页77-78 参考书目： 1.谭怡令，〈明边文进花鸟〉，收入谭怡令编，《吕纪花鸟画特展》（台北：国立故宫博物院，1995年初版），页99。 内容简介（中文）： 边文进（活动于西元一四０三－一四二八年），名景昭，以字行。福建沙县人，祖籍甘肃陇西。明初花鸟院画家中以边氏最为有名，画翎毛花果皆极精妙。永乐朝任职于工部文思院，直谨身殿待诏；宣德间被授予武英殿待诏官衔。其花鸟画曾被誉为「禁中三绝」之一。　「花鸟」成于宣德二年（一四二七），为其工笔写生之佳作。此图绘竹、梅、雀，经营位置错落有致，鸟之姿态生动富情趣；用笔学宋朝院体勾勒填彩，设色妍丽生动。以梅竹、百雀为主题，象征吉祥瑞应。 内容简介（英文）： Pien Wen-chin was named Ching-chao but used his style name Wen-chin as his personal name. He was a native of Sha-hsien, Fukien province, though his ancestral home was in Lung-hsi, Kansu province. He was the most famous bird-and-flower painter at the early Ming court, and his paintings are truly exquisite. During the Yung-lo period (1403-1424), Pien Wen-chin served in the Crafts Institute of the Ministry of Works, and then became a Painter-in-Attendance in the Ching-shen Hall. During the Hsüan-te period (1426-1435), he was appointed Painter-in-Attendance in the Wu-ying Hall. Birds and Flowers, completed in 1427, is one of Pien Wen-chin’s masterpieces in detailed, meticulous brushwork (kung-pi). In this composition which he painted from life (hsieh-sheng), Pien Wen-chin has depicted bamboo, plums, and sparrows which are full of vitality and emotionally-charged. For brushwork, he adopted the Sung dynasty court style of outlining the forms and filling in colors which are exquisitely beautiful and moving. Plums, bamboo, and one hundred sparrows are auspicious symbols.