书体:

色彩:

设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：宣统御览之宝
收传印记：孟氏玉涧
收传印记：（一印不识）

题跋资料:

主题:

主要主题：翎毛喜鹊三山鹧；次要主题：树木竹 ；次要主题：花草杜鹃 ；其他主题：花草  

技法:

工笔 双钩 皴法 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页291 收藏着录： 故宫书画图录，第六册，页83-84 参考书目： 1.〈明边文进春花三喜〉，收入国立故宫博物院编辑委员会编，《名宝上珍》（台北：国立故宫博物院，1995年初版一刷），页266。2.本社，〈明边文进春花三喜〉，《故宫文物月刊》，第24期（1985年3月），封底。 内容简介（中文）： 边文进，生卒年不详，福建沙县人。字景昭，永乐（西元一四０三－一四二四年）间召至京师，授武英殿待诏，宣德（西元一四二六－一四三五年）间仍供事内殿。博学能诗，善画花果翎毛，为其后吕纪等人师法的匠师。　此幅为学宋人而极得其神髓者。山喜鹊三只，两只相搏于地，各以爪控其喙。一只高立竹上，引颈啼鸣，若加喝阻，不知何术乃能得此无人之态。丛竹、杜鹃红绿相映，坡石莎草回护有情。笔墨傅彩，极朴挚稳厚。 内容简介（中文）： 边文进(活动于1403－1435之间)，字景昭，福建沙县人，祖籍甘肃陇西。在永乐尚未迁都时已入画院任职，而后在北京担任武英殿待诏，宣德间召入文思院，值谨身殿待诏。 明初花鸟以边氏最有名，曾被誉为「禁中三绝」之一，边氏继承宋代院体花鸟传统，以工笔写生取胜。此图以双钩填彩，设色妍丽，绿竹茂盛，经营位置疏密变化多。湖石轮廓采披麻皴，绘羽毛敷染技法细腻，表现出质感与色感。山喜鹊一只立于竹，两只相搏于地，或鸣或嬉，仰俯侧反，能捕捉其情态。(林莉娜) 内容简介（英文）： Pien Wen-chin, style name Ching-chao, was a native of Sha county, Fukien. Although the dates of his birth and death are unknown, it is known that he was summoned to the capital during the Yung-lo era (1403-1424), where he served as Painter-in-Attendance at the Wu-ying Hall. During the reign of the Hsüan-te emperor (r. 1426-1435), he performed various duties in the Inner Court. A talented poet of wide learning, he also excelled at painting flowers, fruits, and birds. He was the master painter whose style was emulated by Lü Chi and other later artists. This painting follows the manner of works by masters of the Sung dynasty (960-1279) and succeeds in attaining the essence of their work. Two magpies fight on the ground, while another perched above shrilly cries out, admonishing them. Consummate skill was required to portray this completely naturalistic scene.