书体:

色彩:

设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅纸引首纸隔水二（裱纸）纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：古希天子
鑑藏宝玺：寓意于物
鑑藏宝玺：万有同春
鑑藏宝玺：五福五代堂古稀天子宝
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：文氏休承
收传印记：墨林生
收传印记：项墨林父祕笈之印
收传印记：真赏（鼎形印）

题跋资料:

题跋类别：作者款识；作者：边文进；题跋位置：本幅；款识：陇西边景昭；书体：行书；全文： 印记：景昭

题跋类别：题跋；作者：清高宗引首 ；书体：行书；全文：缑山僊侣印记：乾隆宸翰

题跋类别：题跋；作者：清高宗隔水二（裱纸）御题；书体：行书；全文：（乾隆御题。诗文不录。）印记：几暇鉴赏之宝、乾隆宸翰题籤清高宗题籤  明边文进胎仙图印记：乾隆宸翰

主题:

其他主题：花草桂花 ；其他主题：树木松 ；其他主题：树木芭蕉 主要主题：翎毛鹤 ；其他主题：树木梧桐 ；其他主题：花草茶花 ；其他主题：山水瀑布 ；其他主题：花草芙蓉 ；其他主题：山水云 ；其他主题：花草菊 ；其他主题：树木杨柳柳；其他主题：花草藤萝 ；其他主题：花草桃花 ；其他主题：花草蜀葵 ；其他主题：树木竹 ；其他主题：花草芦苇 ；其他主题：山水溪涧、湍泉 ；其他主题：山水江河、湖海江河；其他主题：花草 草；其他主题：树木  ；其他主题：山水  

技法:

写意 皴法 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页1021-1022 收藏着录： 故宫书画录（卷八），第四册，页40 收藏着录： 故宫书画图录，第十八册，页99-104 参考书目： 1.卢素芬，〈苍松上的仙侣─从〈胎仙图〉谈浙、吴两派的交会〉，《故宫文物月刊》，第350期（2012年5月），页78-87。 内容简介（中文）： 边文进，生卒年不详，福建沙县人。字景昭，永乐（西元一四０三－一四二四年）间召至京师，授武英殿待诏，宣德（西元一四二六－一四三五年）间仍供事内殿。博学能诗，善画花果翎毛，为其后花鸟名家师法。画鹤一百三十六只，举凡飞者、鸣者、啄者、斗者、泳者等等。他如云水松蕉树石诸物，并皆应物象形，笔意雅健，自非斲轮老手莫能办。惟笔墨与边景昭不类。款字与项元汴印，皆后人所增。(20120407) 内容简介（中文）： 边文进，生卒年不详，福建沙县人。字景昭，永乐（西元一四０三－一四二四年）间召至京师，授武英殿待诏，宣德（西元一四二六－一四三五年）间仍供事内殿。博学能诗，善画花果翎毛，为其后吕纪等人师法的匠师。　画鹤一百三十六只，举凡飞者、鸣者、啄者、斗者、泳者、无一种不具，亦无一种不佳。他如云水松蕉树石诸物，并皆应物象形，笔意雅健，自非斲轮老手莫能办。惟笔墨与边景昭不类。款字与项元汴印，皆后人所增。 内容简介（英文）： Pien Wen-chin, style name Ching-chao, was a native of Sha county, Fukien. Although the dates of his birth and death are unknown, it is known that he was summoned to the capital during the Yung-lo era (1403-1424), where he served as Painter-in-Attendance at the Wu-ying Hall. During the reign of the Hsüan-te emperor (r. 1426-1435), he performed various duties in the Inner Court. A talented poet of wide learning, he also excelled at painting flowers, fruits, and birds. He was the master painter whose style was emulated by Lü Chi and other later artists. This handscroll depicts 136 white cranes, some flying, some calling, some preening, some swimming, and some fighting. All are beautifully painted. The landscape details are also carefully executed. While the elegant, vigorous brushwork presupposes many years of experience, the use of brush and ink does not resemble Pien Wen-chin’s style. The signature and seals of the Ch’ing dynasty collector Hsiang Yüan-pien (1525-1590) are later additions. 内容简介（英文）： Bian Wenjin, native to Shaxian in Fujian, had the style name Jingzhao. Called to the capital under Yongle (1403-1424), he was a Painter-in-Attendance at Wuying Palace. In the Xuande reign (1426-1435), he still served at court. Widely studied and a fine poet, he excelled at painting flowers and fruits as well as birds, his style emulated by later bird-and-flower masters. This handscroll depicts 136 cranes, some flying as others call, preen, swim, and fight. All motifs, such as clouds, water, pines, banana trees, and rocks, follow their respective forms. Though the elegant yet vigorous brushwork reveals years of experience, the styles does not resemble Bian’s style. The seals and signature of the Ming collector Xiang Yuanbian are also later additions.(20120407)