书体:
色彩:
设色,青绿,描金,泥金,研朱装裱形式:
轴创作时间:
文字类型:
质地:
本幅绢诗塘纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：郑重；题跋位置：本幅；款识：法王子郑重敬画；书体：篆书；全文： 印记：重生主题:
主要主题：佛道人物佛 主要主题：器用宗教器用璎珞．莲台．宝盖．珊瑚．背光；次要主题：山水云 ；次要主题：花草莲荷技法:
工笔 人物衣纹描法(匀称线条)参考资料:
收藏着录： 秘殿珠林三编（干清宫），页74 收藏着录： 故宫书画录（卷五），第三册，页474 收藏着录： 故宫书画图录，第九册，页191-192 内容简介（中文）： 郑重（十七世纪），字千里，号无着，歙（今安徽歙县）人，流寓金陵（今南京）。好楼居，日事香茗。善写佛像，必斋沐而后擧笔。丁云鹏推为赵伯驹后身，亦画山水小景。摹仿宋、元体均精妍。 本幅画祥云拥现，天散宝华，释迦牟尼佛法相庄严，手结定印，于一莲花座上结跏趺坐，座下尚有一华丽的须弥宝台。人物肌肤以金粉填涂，全幅设色姸丽。袈裟与台座之纹饰绘制精工。画幅右下角有作者篆书款云：法王子郑重敬画。 内容简介（英文）： Cheng Chung (style name Ch’ien-li, sobriquet Wu-cho) was originally from Hsi County, located in today’s Anhui Province, but later moved to Nanking. He was fond of living in the upper stories of buildings, and it was his habit to drink fragrant tea each day. Cheng Chung was skilled in the renditions of Buddhist images, and always fasted and bathed to purify himself before taking up his brush. Ting Yün-p’eng praised him as being the reincarnation of Chao Po-chü. He also painted small landscape scenes. And his copies of Sung and Yüan works were done in an exquisite manner. Amidst clouds of blessing and heavenly splendor, Śâkyamuni Buddha, Lord of the Law, appears most dignified. His hands are folded in a gesture of meditation, and he is seated cross-legged on a lotus throne, beneath which is a resplendant representation of Mount Sumeru. The skin and flesh of Śâkyamuni are depicted in gold pigment, and the entire work is colored magnificently. The brushwork describing the cassock and the lotus throne is of refined workmanship. In the lower right corner of the painting, the artist’s inscription reeds: Respectfully painted by Cheng Chung, Disciple of the Lord of the Law.
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