书体:

色彩:

水墨

装裱形式:

册(蝴蝶装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：石渠宝笈
鑑藏宝玺：石渠定鑑
鑑藏宝玺：宝笈重编
鑑藏宝玺：乾隆御览之宝
作者印记：太上皇帝
鑑藏宝玺：八旬天恩
鑑藏宝玺：嘉庆御览之宝

题跋资料:

题跋类别：题跋；作者：钱纶光；题跋位置：本幅；款识：无；书体：行书；全文：罗浮洛浦俱僊骨。团聚从容纪岁寒。印记：钱纶光印

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：无；书体：行书；全文：（乾隆甲辰御题。诗文不录）印记：写生、乾隆辰翰

主题:

主要主题：花草水仙 主要主题：花草梅（白．红．蜡梅） 

技法:

写意 

参考资料:

收藏着录： 石渠宝笈续编（重华宫），第三册，页1750 收藏着录： 故宫书画录（卷六），第四册，页156-157 收藏着录： 故宫书画图录，第二十四册，页246-247 内容简介（中文）： 清陈书梅花水仙 陈书，生在清世祖顺治十七（公元一六六０）年，死在高宗乾隆元（公元一七三六）年，浙江秀水人，号上元弟子。晚年号南楼老人，嫁嘉兴人钱纶光为妻，后因儿子钱陈群显贵，诰封太淑人。生性嗜好绘画，习作勤奋，花鸟、山水、人物和佛道神像，无所不能，其中尤以花鸟最出色。她的画法是结合水墨和用色二种，融合以出的，所以，既有色彩的艳丽，又有水墨的淡雅，至于用笔，更是圆劲飞动近似陈道复，前人用「笔力老健、风神简古」八字来形容她，颇为中肯。 内容简介（英文）： Plum and NarcissusCh’en Shu (1660-1736)Ch’ing Dynasty Ch’en Shu (hao Shang-yüan ti-tzu; later she used the name Nan-lou lao-jen) was a native of Hsiu-shui in Chekiang. She married Ch’ien Lun-kuang of Hai-yen and, because of the fame of their son Ch’ien Ch’en-chün, she was later given the title T’ai-shu-jen. She had a natural love of painting which she applied to flowers and birds, landscapes, figures, and Buddhist and Taoist subjects. Although she painted all types of subjects well, it was particularly in the area of flowers and birds that her talent found expression. She used a combination of the monochrome ink and colored techniques so that her paintings possess both the beauty of color and the restrained elegance of monochrome ink. Her use of the brush, with its forceful but flying rhythms, is related to that of Ch’en Tao-fu. A former critic used the phrase “a strong and robust brush with a spirit unruffled by the ancients “to describe the flavor of Ch’en Shu’s style.