书体:

色彩:

设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：半印一不辨

题跋资料:

题跋类别：题跋；作者：李居敬；题跋位置：本幅；款识：无；书体：楷书；全文：四孝图序。孝者。士君子修身齐家之第一义也。引而申之。虽治国平天下道上。不此乎外矣。语曰。孝弟也者。其为仁之本欤。孔子曰。唯孝弟（点去）友于兄弟。施于有政。是上为政矣。天下之事。岂有以加于此哉。燕山陈公国瑞。尝得古孝子图。于工画者。自大舜而下。凡二十有四人。特珍之。又各详录本传。附于其左。奇意已为人。苟知孝则子焉。而之顺其亲弟焉。而知敬其长上。以爱使下。下以敬事上。欢然有恩以相爱。灿然有文以相接。孝弟行于家。推之仁。民则爱。而公由仁。民而达之。于物则无不各得其所。特在随其地而充广之耳。孝之于人。渊乎博哉。且公之珍是图也。其有望于将来之意。谓何如邪。平居则视亲于无形之时。听亲于不闻之表。由中之诚。出于天性。但知有亲为所当为。其于孝不孝。何暇计哉。如舜以不顺乎亲。而怨慕之心愈笃。竟至于底豫。闵子见责。而忠养之勤益坚。率感后母为慈爱。蔡顺以分椹而感贼父。举以杀子而得金。盖处危难之中。惟知捐躯以奉亲。其孝与否。虽不暇计。亦不必论也。后世有志于是者。当心古人之心得。其心则二十四子之事。吾皆可为。若规规焉。求古人于事为之。末则虽有割股怀橘分椹泣笋等事。亦不免近名之诮。然后知古人入孝出忠之心。或在此而不在彼也。然则公之藏是图。非以为美观玩适。而设其所以为修身之资。训子之方者。意图有在矣。异时其子与孙。因图以求其八。由人以考其事。因事以察其心。则公珍藏斯图之意。庶不孤矣。不然徒以资披玩而已耳。于我何有焉。天历庚午（西元一三三０年）三月既望。鱼棠李居敬序。

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页627 收藏着录： 故宫书画图录，第十八册，页47-50 收藏着录： 故宫书画录（卷八），第四册，页39 参考书目： 1.马孟晶，〈元人四孝图〉，收入刘芳如、张华芝主编，《群芳谱 — 女性的形象与才艺》（台北：国立故宫博物院，2003年初版一刷），页106-107。 内容简介（中文）： 「四孝图」描绘故事四则，以图文相间的方式表达。第一则述王武子之妻割股作羹汤，治癒婆母寒疾；第二则述三国陆绩因其母好食橘，乃于进谒袁术席间，怀橘以奉母；第三则述晋王祥为母病中思食鲤鱼于冬月，而至江上卧冰求鲤；第四则述后汉曹娥之父溺毙江中，不得尸灵，至娥投江，三日后方抱父尸出。是皆孝心感人之事蹟，卷末并附李居敬四孝图序，论孝之精义。通幅人物，以匀称之线条为主，细挺而有力。 内容简介（英文）： This painting illustrates four stories of filial piety employing narrative and pictorial elements. The first story depicts the wife of Wang Wu-tzu cutting off part of the flesh from her thigh for a medicinal broth to cure her mother-in-law's cold. The second story illustrates Lu Chi of the Three Kingdoms (220-280) taking oranges while at a banquet held by Yüan Shu and presenting them to his mother because his mother loved to eat oranges. The third story depicts Wang Hsiang of the Western Chin dynasty (265-316) lying on the ice in winter so that he could fish for carp because his mother wanted to eat carp when she was il1. The fourth story illustrates Ts’ao 0 of the Later Han dynasty (25-220) throwing herself into the river because her father drowned there and his corpse was not found. After three days, both corpses emerged, Ts'ao 0 holding her father. These are all stories about filial piety. At the end of the scrol1, there is a postscript written by Li Chu-ching discussing the essential significance of filial piety. The figures in this scroll have been depicted mainly through lines which are fine and strong.