书体:

楷书

色彩:

装裱形式:

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

泷冈阡表。 呜呼。惟我皇考崇公。卜吉于泷冈之六十年。其子脩始克表于其阡。非敢缓也。盖有待也。脩不幸。生四岁而孤。太夫人守节自誓。居贫自力于衣食。以长（以）教。俾至于成人。太夫人（告）之曰。汝父（为）吏廉。而好施与。喜宾客。其俸禄虽薄。常不使有馀。曰毋以是（为）我累。故其亡也。无一瓦之复。一垅之殖。以庇而为生。吾何恃而能自守耶。吾于汝（父）。知其一二。以有待于汝也。自吾为汝家妇。不（及）事吾姑。然知汝（父）之能养也。汝孤而（幼）。吾不能（知）汝（之）必有立。（然）知汝父之必（将）有后也。吾之始归也。汝父免于母丧。方（逾）年。岁时祭祀。则必涕泣曰。祭而丰不。如（养）之薄也。间御酒食。（则）又涕泣曰。昔常（不）足。而今有馀。其何及也。始吾一二见之。以为新免于丧适然尔。既而其后常然。至其终（身）。未尝（不）然。吾虽（不及事）姑。而（以此）知（汝）父之能养也。汝父为（吏）。尝夜烛（治）官书。屡废而歎。吾问之。则曰。此死狱也。我求其生不得尔。吾曰。生可求乎。曰。求其生而不得。则死者与我皆无恨也。矧求而有得耶。以其求而得。则知不求而死者有恨也。夫常求其生。犹失（之）死。（而）世常求其死也。回顾乳（者）。劒（汝）而立于旁。因指而歎曰。术者谓我（岁）行在戍。将死。使其言然。吾不及见（儿）之立也。后当以我语告之。其平居教佗子弟。常用此语。吾耳熟焉。故能详也。其施于外事。吾不能知。其居于家。无所矜饰。而所为如（此）。是真发于中者耶。呜呼。其心厚于仁者耶。此吾知汝父之必将有后也。汝其勉之。夫（养）不必丰（要于）孝。利虽（不）得博于物。要其心之厚于仁。吾不能教汝。此汝父之志也。脩泣而志之不敢忘。先（公）少孤（力学）。（咸）平三年。进士及第。为道州判官。泗（绵）二（州）推官。又为泰州判官。享年五十有九。葬沙溪之泷冈。太夫（人）姓郑（氏）。考讳德仪。世为（江南名族）。太夫人恭（俭）仁爱而有礼。初封福昌县太君。进封乐安安康彭城三郡太君。自其家少微时。治（其）家以（俭）约。其（后）常不使过之。曰。吾儿不能（苟合）于世。俭薄所以（居）患难也。其后脩（贬）夷陵。太夫人言笑自若曰。吾处之有素矣。汝能安（之）。（吾）亦（安矣）。自先公之亡二（十年）。脩始（得）禄而（养）。又十有二年。列官于（朝）。（始得赠封）其亲。又十（年）。（脩为）龙图阁直学士尚书吏部郎中。留守南京。太夫人以疾终于官舍。享年七十有二。又八年。脩以非才。（入副枢）密。遂参政事。又七年而罢。自登（二）府。（天）子推恩。褒（其）三世。故自（嘉祐）以来。逢国大庆。必加（宠）锡。皇曾祖府（君）。累赠金紫光（禄）大夫。太师中书令。曾祖妣累封楚国太夫人。皇祖（府君）。累赠金紫光禄大夫。太师中书令兼尚书令。祖妣累封吴国太夫人。（皇考崇）公。累赠金紫光禄大夫。太师中书令。兼尚书令。皇妣累封越国太夫人。今上初郊。皇考赐爵为崇国公。太夫人进号魏国。于是小子脩泣而言曰。（呜呼）。为善无不报。而迟速有时。此理之常（也）。惟（我）祖考。（积）善成德。宜享其隆。虽不克有于其躬。而赐爵受封。显荣（褒大）。实有二（朝）之锡命。是足以表见于后世。而庇赖其子孙矣。乃列其世谱。具刻于碑。（既）又载我皇考崇公之遗训。太夫人之所以教而有待于脩者。并揭于阡。（俾）知（夫）小子脩之德薄能鲜。遭时窃位。而幸全大（节）。不辱其先者。（其）来（有自）。熙宁三年。岁次庚戌四月辛酉朔十有五日乙亥。男推诚保德。崇仁翊戴功臣观文殿学士。特进行（兵部）兵部尚书。知青州军州事。兼管内劝农（使）。（充京东东）路安抚使。上柱国乐安郡开国公。食邑四千三百户。（食实）食实封一千二百户。脩表。

印记资料:

收传印记：沙谿巡检司印（满汉文并列）
收传印记：澹台静农所藏

题跋资料:

主题:

技法:

参考资料:

内容简介（中文）： 「泷冈阡表」成于宋神宗熙宁三年（一○七○），由欧阳修（一○○七－一○七二）撰文书碑，立石江西永丰凤凰山。阡表依循汉代子为父立碑先例，追述其父崇国公及太夫人言行事蹟。文中流露人子感念亲恩、追怀伤悼之情，其平常话语「祭而丰不如养之薄也」，道尽人子风木哀思。欧阳修为北宋文坛盟主，兼长金石考证之学。碑文楷书，结体宽博，用笔从容，具有唐人开阔的气度。 内容简介（中文）： 欧阳修（1007－1072），字永叔，号醉翁，晚又号六一居士，庐陵（今江西吉安）人。此碑为欧阳修亲自撰文并书丹，文章为著名的〈泷冈阡表〉，碑石现存江西永丰县沙溪镇西阳宫碑亭内，该宫乃欧阳修生前讬付道士看守其父母坟茔的道观。他以其一贯的书风写此碑，碑额四大字的笔法与结构也与小字类似。相较墨蹟，可发现此拓本用笔稍加凝重，除了可能与书写态度有关外，刻手与拓工也是不可忽视的因素。(20061206) 内容简介（中文）： 欧阳修（西元一○○七－一○七二年），字永叔，号醉翁，晚号六一居士，庐陵（江西吉安）人。此碑为欧阳修亲自撰文书丹，碑石现存江西永丰县沙溪镇西阳宫碑亭内，该宫乃欧阳修生前讬付道士看守其父母坟茔的道观。他以其一贯书风写此碑，碑额四大字的笔法与结构也与小字类似。相较墨蹟，可发现此拓本用笔稍加凝重，除与书写态度有关外，刻手与拓工也是不可忽视的因素。(20120104) 内容简介（英文）： Ouyang Xiu (style name Yongshu, sobriquet Zuiweng) was native to Luling (Ji’an, Jiangxi). This stele was personally composed and calligraphed by Ouyang, being a celebrated essay of his. The original stone is now in the stele pavilion at Xiyang Temple in Shaxi, Yongfeng County, Jiangxi. This temple is where Ouyang entrusted a Taoist to care for the remains of his mother and father. He used his customary style to write this funerary stele, the brush method and structure of the tableau’s 4 large characters similar to his small characters. Compared to calligraphy on paper or silk, the brushwork in this rubbing looks slightly stiffer. Though perhaps related to the nature of the text, the influence of engraving and rubbing also cannot be overlooked.(20120104) 内容简介（英文）： Ou-yang Hsiu, style name Yung-shu and sobriquet Tsui-weng (also with the late sobriquet Liu-i chü-shih), was a native of Lu-ling (modern Chi-an, Kiangsi). This stele was personally composed and calligraphed by Ou-yang Hsiu, his celebrated essay going by the title of “Shuang-kang Tomb Inscription”. The stele stone is presently located in the stele pavilion at the Hsi-yang Temple in the town of Sha-hsi in Yung-feng County, Kiangsi. This Taoist temple is where Ou-yang Hsiu entrusted a Taoist to care for the remains of his mother and father. He used his customary calligraphic style to write this funerary stele, the brush method and structure of the four large characters of the stele tableau being similar to those of his small characters. Compared to calligraphy done directly on paper or silk, one finds the brushwork in this rubbing to be slightly stiffer. Though perhaps related to the nature of the text, the influences of engraving and rubbing also cannot be overlooked as factors.(20061206)